About Me
Transformational science artist Natalia Garber, the โvoice of the noosphereโ, develops an AI art embassy of the biosphere, leading the Planet to the Digital Renaissance. She is an ambassador of the Institute of economics and peace (Australia), speaker of the Russian Academy of Arts, Fenix360 (Singapore) and Technoethic Arts Studio (China). Since 1990s Nataliaโs online Museum of poems&art participated in โThe art standโ database of 85+ countries, empowering communities through art. She got PhD in media education of digital arts and got a prize in humanities from the European academy of science. Natalia published 300+ articles, 14 books and 50+ novels and poems, awarded by the Russian union of writers, Big symphonic orchestra, International contest โLiving wordโ, Israel union of writers and magazine โInterpoeziaโ (USA). Her novel โThe austronautโ is included in the Honorable Mention List of the New Millenium Writing Award (USA). Natalia got art prizes from the application Mellow (Japan), covering 170+ countries, LightSpace&Time Gallery (USA) and contest โBuilding a better worldโ (France). Her digital art is a finalist of the contest โCreate in Russia 2025โ. Nataliaโs exhibitions include โI HeArt Connectionโ (USA), โConnectโ (South Korea), โHomerโs Odysseyโ (Greece), "Nature&Tech" (Portugal), โWoman screamโ (Brazil), โCo-creationโ (Russia). Nataliaโs art was presented in her artistโs books โCultural brand Russia for the innovators of the digital eraโ and โPushkin Hills. It is my landโ(Russia), personal exhibition โVoice of the noosphereโ (Community art channel), Boomer art mag (Britain) & GlobalArtTimes mag with 10+ its millions of readers globally. Her art series โWhite swanโ is included in the collection of the Foundation for Assistance to the Development of National Culture and Art of Russia, delivering art to 83 countries. Natalia upgraded the UNESCO Convention of Natural and Cultural Heritage to the hierarchy of sustainable development in 2025. Now Natalia is finishing her big book of prose and poetry, appeared to be a Divine Comedy of XXI century ๐























