The Man Who Sold The World
Wanted presents a grid of faces — human, animal, and otherworldly — as though drawn from memory or imagination. They are identities worn, borrowed, or hunted. Together they represent the fragmentation of self after the bargain — a haunting collection of who we become in pursuit of power or perfection.
In Gallery, a lone, sculpted figure walks through a corridor lined with portraits — fragments of lives, faces, and memories. Each frame seems to whisper stories of who the figure once was or could have been. It’s a meditation on ego and self-reflection — an artist confronting the gallery of their own past.
The Man Who Sold the World shifts the tone to cosmic dread and grandeur. A suited man stands beneath a churning sky of molten color — a symbol of ambition and detachment. He has achieved everything and lost himself in the process, selling not just the world, but his own humanity.
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