Land of Puppeteers

Recently, while perusing my grandfather’s dusty journals, I discovered entries filled with curious tales and sketches. I endeavored to reimagine his words and the images they evoked:

“December 3, 1813 – They say, whispered over dim fires and in quiet corners, that once there were giants who moved across the skies. My grandmother often speaks of them as though recalling a fading memory—a time when enormous figures hung from the heavens, their vast hands casting shadows upon the land. Some told of seeing immense faces in the clouds, eyes reflecting both joy and sorrow.

Rumors spread that these giants were both puppets and puppeteers, pulling at invisible threads that intertwined with the lives of those below. Superstitions grew; people believed their own fears and hopes might influence the giants’ movements. Some thought these figures were the hands of the gods, guiding or responding to the whispers of mortals.

On nights when the sky turned a deep grey and the wind carried a hint of the unknown, villagers would gaze upwards, wondering if they were being watched or if they themselves held sway over the giants above.

My grandmother has never seen one herself, but she knows someone who knows someone who did. She tells a tale about some shepherd boys tending sheep high in the mountains. One day, an enormous figure appeared—a giant splendidly attired in antique finery, sporting a grand moustache that curled like the horns of a ram. At first, he was friendly and merry, engaging the boys with playful questions. But then, as if controlled by an unseen force, his demeanor changed. When they answered one of his inquiries incorrectly, he transformed into something monstrous. Threads unfurled from his fingers, ensnaring the three boys, who vanished before the eyes of their father watching from a distant hill. These are the stories she shares, passed down from acquaintance to acquaintance, leaving me to ponder their truth.

Whether my grandmother’s tales are mere superstition or hold a grain of truth, I cannot say. Yet, in this nocturnal spectacle, the lines of control blur. We are both masters and marionettes, woven into an endless performance beneath the opaque, grey canopy of the skies. And as dawn creeps over the horizon, the giants fade into the ether, leaving behind the lingering question: do we hold the strings, or are we merely dancing to an ancient melody beyond our grasp?”

Zoh Lym
I am an explorer of the dark. Death and the afterlife are the themes that consume me. I have no artistic skills, nor do I consider myself an artist. AI has given me the power to express myself in a way that I never thought possible; to bring my imagination to life, creating worlds that capture the essence of my obsession. My creations may not be art, but they are a reflection of my soul. They explore the darker side of life and death, drawing inspiration from the shadows that lurk within us all. In the end, I am not an artist, nor am I a writer. I am simply a vessel for the darkness that flows through me, a conduit for the power of AI to transform my vision into something tangible. Whether my creations are considered art or not, is for others to decide. For me, they are simply a reflection of the twisted landscape that resides within.

Invited Artist

This artist has been acknowledged in the Annual Collection 2023 and invited to exhibit their work in the Stable Gallery 2024.