Nuru

Nuru

Nuru Abegaz was born in A.A Ethiopia on 1972EC. Graduated from the Addis Ababa University School of Fine Arts and Design in 1997. Having worked as a freelance artist since 1997, he has participated in numerous exhibitions, both group and solo. “A blank space, be it paper, glass, canvas or an object presents itself as a challenge, which I try to meet, using my inner compass as a guide. Over the years I have been developing my personal vocabulary. For seven years during my “Gray period”, I restricted myself to the use of white and black paint exploring the possibilities of tonal value, composition and the placement of the human figure in, often in a distorted space. I tried to reflect the human condition through a personal and emotional view point. 15 years ago I discovered electrical tape (nastro) as an fascinating and for my work suitable medium. Though the available choice of colors are limited, the semi- transparent nature of nastro through overlapping and layering of the primary colors and deliberately leaving part of the surface blank allows me to achieve a vibrating energetic life to the work. Drawing has been and still continues to be an important part of my work and “drawing” with nastro manifested itself into a new aesthetic form, due to the limitation and flexibility the medium has offer. During my journey on the surface I attempt to find balance and visual rhythm in the composition.

Nuru
Nuru
Nuru Abegaz was born in A.A Ethiopia on 1972EC. Graduated from the Addis Ababa University School of Fine Arts and Design in 1997. Having worked as a freelance artist since 1997, he has participated in numerous exhibitions, both group and solo. “A blank space, be it paper, glass, canvas or an object presents itself as a challenge, which I try to meet, using my inner compass as a guide. Over the years I have been developing my personal vocabulary. For seven years during my “Gray period”, I restricted myself to the use of white and black paint exploring the possibilities of tonal value, composition and the placement of the human figure in, often in a distorted space. I tried to reflect the human condition through a personal and emotional view point. 15 years ago I discovered electrical tape (nastro) as an fascinating and for my work suitable medium. Though the available choice of colors are limited, the semi- transparent nature of nastro through overlapping and layering of the primary colors and deliberately leaving part of the surface blank allows me to achieve a vibrating energetic life to the work. Drawing has been and still continues to be an important part of my work and “drawing” with nastro manifested itself into a new aesthetic form, due to the limitation and flexibility the medium has offer. During my journey on the surface I attempt to find balance and visual rhythm in the composition.