Free for the AI arts community
The free foundation has supported AI artists for the last four years, and will continue to do so.
The platform is free for AI artists and the community. Additional features can be provided when you need more capacity, larger file uploads, a dedicated domain, or specialised features to support your practice.
Organisations can use the free platform tools for competitions, open calls, and galleries. Enhanced features are available for larger programmes that require more capacity, additional domains, or advanced functionality.
This work emerged during a time of profound transition in my life. My workplace was undergoing major structural changes. Simultaneously, I was navigating a move to a new location, welcoming a new family member, and dealing with illness within my family. Beyond my personal sphere, the world itself seemed to be shifting - politically, socially, environmentally.
I found myself living in multiple states of suspension simultaneously. Nothing felt solid or predictable anymore. Yet within this uncertainty, I began to recognize something unexpected: the beauty of the in-between space. Yes, there were fears about the future, but there were also unprecedented opportunities emerging from the chaos.
The floating, fractured glass spheres became my way of exploring this condition. They represent all the aspects of life that feel broken or uncertain, yet they don't fall - they hover, they persist, they find new arrangements. The central metallic structure anchors them, like the core relationships and values that remain constant even when everything else shifts.
Through AI collaboration, I could visualize what I was feeling: that being suspended between states isn't a failure or a problem to solve, but perhaps a necessary condition for transformation. The cracks in the glass don't make the spheres worthless - they create new patterns of light and shadow, new ways of seeing wholeness.
@stefan-eisele
I search for the texture that algorithms weren’t designed to produce. Specifically, the rust, the erosion, the weight of material – rendered by a machine that has never touched a surface. Because of my background in industrial design, I understand how materials behave: how steel weathers, how paint cracks, and how surfaces carry the memory of time. Consequently, I use that knowledge to push generative AI toward something it resists – the impure, the heavy, the tactile. In practice, my work lives in the gap between digital precision and physical decay. During the process, every image passes through dozens of iterations, manual corrections, and conscious decisions about what stays raw and what gets refined. Yet the machine consistently proposes clean surfaces – so I drag them toward friction. As a result, what emerges carries the tension of both worlds – algorithmic clarity haunted by material memory.

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Recent public works from the AI-ARTS Gallery.


