AI-ARTS competition
Reimagine — 5th AI-ARTS Competition 2026
Explore Reimagine — 5th AI-ARTS Competition 2026.
Organised by AI-ARTS.
Explore the competitionAI-ARTS competition
Explore Reimagine — 5th AI-ARTS Competition 2026.
Organised by AI-ARTS.
Explore the competitionFree for the AI arts community
The free foundation has supported AI artists for the last four years, and will continue to do so.
The platform is free for AI artists and the community. Additional features can be provided when you need more capacity, larger file uploads, a dedicated domain, or specialised features to support your practice.
Organisations can use the free platform tools for competitions, open calls, and galleries. Enhanced features are available for larger programmes that require more capacity, additional domains, or advanced functionality.
AI-ARTS artwork

Through AI, the drawings became digital sculptural bodies and moving worlds. Across three encounters, separate forms approach one another, create a place where life can grow, and eventually open that world to something beyond themselves. But each transformation comes at a cost. Something of the original forms must change, or be relinquished, for something new to exist.
The film unfolds through The Birth of Inner Worlds, A World Takes Root and The Architecture of Becoming. An intimate beginning becomes a shelter for life, then an environment whose future can no longer be contained by those who brought it into existence.
For me, the process of making the film reflects the questions it explores. Working with AI meant accepting interpretations I could not entirely anticipate, while continuing to make the artistic decisions that gave those transformations meaning. I made the drawings, directed the relationships between the forms, selected and revised the generated material, and shaped the structure, text, pacing and sound.
Ultimately, the work asks something deeply human: how do we make room for another without losing ourselves? Whether through love, friendship, parenthood or any meaningful connection, creating a life together inevitably changes us. We give up certain freedoms, familiar versions of ourselves, sometimes even dreams we once believed were essential to who we were. There is beauty in that transformation, but also vulnerability. How much can we relinquish before we begin to fear that we are disappearing? And yet, isn’t there an equally profound loss in protecting ourselves so carefully that we never discover what might have existed between us?
I wanted the film to hold these two fears together, without offering an easy answer. The beings carry traces of their separate origins into what they create. Their differences become sources of strangeness, beauty and strength, inseparable from the changes that made their shared world possible. That world also begins to demand something of them: care, space and, eventually, the freedom to grow beyond their intentions.
Perhaps that is one of the most difficult things about creating something together: accepting that what we love and nurture cannot remain entirely ours.
Patricia Sambo, 2026. Single-channel colour video with stereo sound. Duration: 6 minutes 52 seconds. No spoken dialogue; English on-screen text.
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Through AI, the drawings became digital sculptural bodies and moving worlds. Across three encounters, separate forms approach one another, create a place where life can grow, and eventually open that world to something beyond themselves. But each transformation comes at a cost. Something of the original forms must change, or be relinquished, for something new to exist.
The film unfolds through The Birth of Inner Worlds, A World Takes Root and The Architecture of Becoming. An intimate beginning becomes a shelter for life, then an environment whose future can no longer be contained by those who brought it into existence.
For me, the process of making the film reflects the questions it explores. Working with AI meant accepting interpretations I could not entirely anticipate, while continuing to make the artistic decisions that gave those transformations meaning. I made the drawings, directed the relationships between the forms, selected and revised the generated material, and shaped the structure, text, pacing and sound.
Ultimately, the work asks something deeply human: how do we make room for another without losing ourselves? Whether through love, friendship, parenthood or any meaningful connection, creating a life together inevitably changes us. We give up certain freedoms, familiar versions of ourselves, sometimes even dreams we once believed were essential to who we were. There is beauty in that transformation, but also vulnerability. How much can we relinquish before we begin to fear that we are disappearing? And yet, isn’t there an equally profound loss in protecting ourselves so carefully that we never discover what might have existed between us?
I wanted the film to hold these two fears together, without offering an easy answer. The beings carry traces of their separate origins into what they create. Their differences become sources of strangeness, beauty and strength, inseparable from the changes that made their shared world possible. That world also begins to demand something of them: care, space and, eventually, the freedom to grow beyond their intentions.
Perhaps that is one of the most difficult things about creating something together: accepting that what we love and nurture cannot remain entirely ours.
Patricia Sambo, 2026. Single-channel colour video with stereo sound. Duration: 6 minutes 52 seconds. No spoken dialogue; English on-screen text.
@patriciasambo-art1
From Angola to Copenhagen, Patrícia Sambo traces uncanny forms between body, plant and imagined space through charcoal drawing and human–AI exchange. Influenced by surrealist automatism, she explores how these forms emerge through both handmade and technologically mediated processes, creating a foundation for her ongoing investigation of transformation and authorship. This inquiry unfolds in her series Ambivalent Mutations, which brings together handmade, collaboratively developed and AI-generated images to question how knowledge of a work’s origins changes its interpretation. Moving between paper and digital images, the series examines authorship as a sequence of interventions rather than a single act, linking material experimentation with the shifting possibilities of technological collaboration. Across these processes, attraction and discomfort, vulnerability and protection, growth and dissolution remain deliberately unresolved. Rather than resolving these oppositions, Sambo’s practice holds them in tension, making their instability visible while clearly documenting the distinct roles of human and AI creation.
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